CREW

I don't require many boots on the ground to make a film like TAKEN IN.

I need a masterful cinematographer (like Daniel McCord), and calm and competent sound recordist (like Brian Fellers), a whip-smart line producer (like Jennifer Baxley), a resourceful production assistant (like Adam Robitaille), and...in post, a genius editor (Jeter Rhodes).

Were I acting in the film, I'd probably want an assistant director/script supervisor on set, too.

That's four to five people on the shoot, and Jeter editing afterwards. (Plus actors, of course.)

Films made with more people than that start to feel...I don't know, like "a movie." And film sets with just one or two crew members kinda feel like...a hobby.